In earlier blog posts we have
explored the crone as the helper and as the judge, now it is time to address her
shadow side – the unpredictable and dangerous witch. Of all the crones found within folktales,
perhaps Baba Yaga is the most frightening of all. This is not a grandmother motif who will box
your ears as a punishment; but a powerful, crafty woman who wishes to eat you
bones and all! While many older women feel
invisible, Baba Yaga laughs in the face of those who believe her
powerless. Aligning with this archetype
makes any woman a force to be reckoned with.
This Slavic
folktale begins with Vasilissa, the beautiful.
Vasilissa is a Cinderella-type character, and the first part of the
story mirrors the ancient tale perfectly. Vasilissa’s mother becomes ill, but before
dying leaves her with a wooden doll that has magical properties. Vasilissa was told that whenever she was in
need, she was to take the doll from her pocket, feed it, and then tell the doll
her plight. She was then to follow the
doll’s guidance. Soon afterwards, her
father marries a cold, heartless woman with two daughters. He leaves home on a journey and the trouble
begins in earnest. Vasilissa’s step-mother begins to send her into the forest
on dangerous errands. In truth, she hopes
she will run into Baba Yaga (who lives there), but the magical doll protects Vasilissa.
Finally, the step-mother and step-sisters concoct a plan in which Vasilissa is
sent to the home of the witch, Baba Yaga, to borrow some fire.
Baba Yaga,
was a frightening figure to look at and her actions were no better. She rode around in a mortar which she guided
with her broom. She lived in a house
that walked around on chicken legs and was surrounded by the fiery skulls of
humans she had most likely eaten. Vasilissa walks bravely to the house and
tells Baba Yaga that she seeks fire for her step-mother. Like Frau Holla of the German folktale, Baba
Yaga agrees; but only if the girl will work for her. She must successfully complete several
impossible tasks or become Baba Yaga’s dinner.
We have seen this motif in many other folktales where the innocent girl
is given tasks beyond her skill level and is only saved through magical means. In this story there are two tasks. The first was to pick all the black grains
and wild peas from a measure of wheat.
The second, was to clean the dirt from a half measure of poppy
seeds. Baba Yaga knew these tasks were
impossible to ordinary humans and after giving her instructions, she flies
away. It is only then when Vasilissa
pulls out her doll, feeds it and tells her the story. The dolls eyes glow, she tells her to say her
prayers and go to sleep. When Vasilissa
awakes, the difficult tasks are completed.
The doll gives her the final instructions and then reverts to its wooden
state. Each time, Baba Yaga returns hoping to find that the girl has failed. But when she discovers she has performed the
tasks perfectly, the witch pretends to be happy. She engages in conversation with the girl and
allows her to ask some questions (to trick her further). But this time, the
girl (even without the help of the doll) is clever and thwarts the test. While it was impossible for Vasilissa to
complete the tasks alone, she is proven pure hearted and worthy. Finally, Baba Yaga asks how she completed these
tasks. Vasilissa simply says she was
blessed by her mother. Outraged, and perhaps even a bit fearful of being in the
presence of someone blessed, Baba Yaga throws her out. But before she leaves, Baba Yaga is true to
her word. She gives her one of the human
skulls with fire burning from its eyes.
Vasilissa places it on a stick and makes her way home. She soon discovers that the house is cold and
dark. For as soon as Vasilissa left,
there was no way to make fire there. She took the spark of life with her. The skull advises Vasilissa to bring it
inside and so she set it on the table.
When it saw the step-mother and step-sisters, the skull engulfed them in
fire and they burned before Vasilissa’s eyes.
Now we
return to the Cinderella tale, for the next day Vasilissa goes to live with a
kind old woman to await her father’s return.
She becomes bored and asks if she can spin, so the old woman brings her
what she needs. Vasilissa spins the most
beautiful fabric that she gives to the old woman for her kindness. The old woman brought it to the Czar and
through a series of traditional folktale events, the Czar ultimately falls in
love with Vasilissa. They all (including
her father and the old woman) live happily ever after.
This story contains two crones, one
perhaps seen in shadow and the other in light.
Both were honorable in their own way and ultimately helpful to
Vasilissa. Both found her clever, pure
of heart and worthy. Each taught her the
value of honesty and hard work. One was
evil and frightening, the other served as her “fairy godmother.” While the
moral of the story is the same, in this folktale we see two sides to the crone. Perhaps the kindly crone was actually Baba
Yaga in disguise. As older women living
today, both sides of the crone are needed. We are only invisible if we believe
we are. For in a world that has lost its moral core, a bit of Baba Yaga might
come in handy to scare folks right back into the light. Use this gift wisely.
For more information on the Baba Yaga
story check SurLaLune fairytales.com. Illustration of Baba Yaga was depicted by Ivan Bilibin (1899).
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